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That Girl In Yellow Boots â€
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The girl in Yellow Boots is Indian thriller 2011 by director Anurag Kashyap, starring Kalki Koechlin and Naseeruddin Shah. The film was first screened at the Toronto International Film Festival in September 2010, followed by the Venice Film Festival after being screened at several festivals around the world including the South Asia International Film Festival. However, the commercial release took place a year later in September 2011, both in India and in the US


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Plot

The girl in Yellow Boots is a thriller that tracks Ruth (Kalki Koechlin), a British woman who lost her sister to commit suicide a few years ago. He came to India, looking for his father, a man of Indian descent, a man he barely knew but could not forget, because the letter he wrote to him asked him to look for him. Without a work permit, despair prompted him to work at a massage parlor, where he offered a standard massage and a happy "ending". Divided between several schisms, Mumbai became a strange yet strange foreign backdrop for Ruth's quest. He struggles to find his independence and space even as he is sucked deeper into the labyrinth of the city's belly. He also dated a Prashant (Prashant Prakash) drug addict, who was also his savior and torturer. A city that takes its misery, a love that avoids it. In what might also be seen as a commentary on the worship of the gods in India, his father proved to be a follower of one of the worshipers of that religion. The film ends with Ruth hanging off her yellow boots, and quit her job at a massage parlor and may also leave the country to return to England; his search came to a surprising end.

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Cast

  • Kalki Koechlin as Ruth
  • Naseeruddin Shah as Diwakar
  • Gulshan Devaiya as Chittiappa
  • Shiv Kumar Subramaniam
  • Mushtaq Khan
  • Ronit Roy (Cameo)
  • Makrand Deshpande (Cameo)
  • Piyush Mishra (Cameo)
  • Rajat Kapoor (Cameo)
  • Divya Jagdal as Divya
  • Kumud Mishra as Lynn
  • Prashant Prakash as Prashant
  • Pooja Swaroop as Maya
  • Kishik Krishnan

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Production

Development

The main actress Kalki Koechlin who also co-wrote the film with Anurag Kashyap mentions, "Many of these characters are based on figures I see growing in India... Growing up as a white woman in India, I am always a strange one - there is a certain alienation that comes with that, and you end up alienating yourself because everyone comes to you like a white girl, "Baywatch Girl," a virtuous moral virtuous girl. "

Anurag Kashyap asked Koechlin to write the first scene, to gain a women's perspective on the treatment of white women in Indian government offices when he personally experiences objectification. He also wanted to explore the theme of child abuse; he previously played the role of child abuse perpetrator at I Am (2010) by Onir, and he himself has been the victim of child abuse for 11 years. At the writing stage Koechlin and Kashyap disagreed at the end initially, because Koechlin wanted an optimistic ending, unlike Kashyap who wanted to illustrate that "... you do not always get a solution to your problem".

The film has difficulty finding funding because it deals with controversial themes such as child abuse and drug addiction and is "very different from previous work". As Kashyap says, "I want to break the formula that many directors and actors find."

Filming

The film was taken in just 13 days. It is mainly framed in narrow spaces, such as apartments, massage parlors, and rickshaws leading to "claustrophobic discomfort seeping through the film." Many cast members previously worked together in theater production; This familiarity allows the director to record the movie in a shorter time. She admitted that she had never "directed" one of the actors during the filming, "I never told the actor what to do, just what not to do, you have to trust your actor, and I know I am inside and out. " Director Anurag Kashyap found the whole movie full of exhausting emotions and difficult, especially since most of the money was borrowed.

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Release

After traveling to the 2010 Toronto International Film Festival, the 67th Venice International Film Festival in September 2010 and the Los Angeles International Film Festival (IFFLA), at the premiere in New York on August 24, 2011, at the Asia Society, director Anurag Kashyap said, "I hope you feel the movie, because you will not enjoy it." However, the commercial release of the film took over a year because it was delayed to coincide with the US release to avoid internet piracy. Indian distributors are not interested in films, because without the big Bollywood stars they do not find it worthy of an international release; they primarily serve an NRI (Non-Indian) audience. Finally the US-based distributor IndiePix Films joins to pave the way for a US release with 30 prints, all in non-NRI cinemas, a rare feat for Bollywood movies. Meanwhile, the film is also sold in Scandinavian countries, Turkey, Southern Europe, and New Zealand. Satellite rights are sold in many countries. The film became the first worldwide release in Kashyap, due to be released in 40 US theaters on September 2 by IndiePix Films, on the same day as its release in India. Previously, after being shown at the Indian Film Festival in London, UK-based Mara Pictures took the film there for the British release in the final quarter of 2011. Kashyap later told BBC News that he received negative reactions from financial supporters because the film is sexual. content: "Many people involved with the movie feel embarrassed about the movie Many people we thank in movies actually lend money to us, they say, 'Please take our name from the movie,' because they do not want someone to see and said 'You give money to make this movie!' "

Marketing

Prior to the Indian release, the first appearance of the film was inaugurated to the press on August 11, 2011. MTV India started a "Girl with Yellow Shoes" contest that asked for an audition tape from a potential actor, a winner who will act in the future. Film Anurag Kashyap. On the way to the film, its leader Kalki Koechlin appeared in a color-coordinated event, complete with yellow boots.

Critical reception

The film opened to most of the positive reviews. Roger Ebert of the Chicago Sun-times gave it 3.5 out of 4 stars, and he also noted that 'The value of the film is in Ruth's portrait, and his independence as a solo outsider in a vast and uncaring town. In his review of Huffington Post Kia Makarechi writes, "the unimaginable painless portrait of unimaginable pain - is one with the end that you will hope you can forget." Nupur Barua from fullhyd.com ranked 7 out of 10, and says that in addition to Kashyap-esque's sad tone and sadness, That Girl in Yellow Boots is the best date of Anurag Kashyap, adding that you can watch it "only if you can handle the unspeakable". Parmita Borah, at EF News International, writes, "Kalki Koechlin took the Girl in Yellow Shoes on his shoulders and did it with panache and ÃÆ' Â © lan." Shivesh Kumar from IndiaWeekly got the movie award 3.5 out of 5 stars.

Kalki Koechlin, A Woman Ahead Of STEREOTYPES - Bollywood Googly
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References


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External links

  • Official website
  • The girl is in Yellow Boots on IMDb

Source of the article : Wikipedia

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